AWARDS CEREMONY Fri. April 26 | 6-7:30pm
ON VIEW through May 25, 2019 in the Project Space
Students throughout the region submitted original works of art showcasing their creativity and artistic talent, and have an opportunity to compete for several distinguished awards for young artists.
- The Tracy Sugarman Award ($100), to the Juror’s Choice
for best submission among Westport students
- The Sontag Award ($500), to the Juror’s Selection
for best in show
- The People’s Choice Award ($250), to the artist who has
received the most votes by the public
Two distinguished professors and curators from NYU’s Gallatin School for Individualized Study will jury the exhibition.
Keith Miller is a 2015 Guggenheim Fellow and a curator, artist, and filmmaker. He has been the curator of the Gallatin Galleries since it opened in 2008 and the founding curator of the SAC Gallery at Stony Brook University from 2001 to 2008, and has curated over forty thematic gallery and museum exhibitions. He has been a part time professor at Gallatin School for Individualized Study at NYU since 2006 and was awarded the Gallatin School Award for Excellence in Teaching in 2014. His paintings and videos have been shown in solo and group shows throughout the world. His film Five Star won Best Editing for a Narrative Feature at the 2014 Tribeca Film Festival, where it premiered, and had its international premiere at the Venice Biennale. His first feature film, Welcome to Pine Hill, was awarded the Grand Jury Prize at Slamdance Film Festival 2012 and at the Atlanta Film Festival, and several other awards. He is the co-creator of Brooklynification, a comedy series on BRIC TV.
Lauren Walsh teaches at The New School and NYU, where she is the Director of Gallatin’s Photojournalism Lab. Her classes focus on the history of photography, contemporary visual culture, war reportage, and journalistic ethics. Walsh’s newest book, Conversations on Conflict Photography (2019), explores public response to photographic coverage of war and humanitarian crises. Walsh is coeditor of The Future of Text and Image (2012) and Millennium Villages Project (2016), and editor of Macondo: Memories of the Colombian Conflict (2017), and is the Director of Lost Rolls America, a national public archive of photography and memory. Walsh has curated photography exhibitions in New York City, with an emphasis on documentary and journalistic practice and conflict photography. Her research concentrates on questions of memory and visual media, and ethics. She holds a PhD from Columbia University.